Gold blasted stainless steel pairs a non-reflective matte texture with a PVD gold coating, available in three tones — Yellow Gold, Ti-Gold, and Champagne Gold — for projects that want gold's warmth without a mirror or satin sheen.

Gold blasted stainless steel starts with the same PVD gold coating used across our gold finishes, but the surface underneath is blasted rather than brushed or mirror-polished — media is propelled at the base under pressure to strip away reflectivity before the coating goes on.

The size of that media is what separates the two textures: fine glass or ceramic beads on a pre-polished base give bead blasted gold a smooth, even matte with a soft sheen (Ra 1.5–2.5μm), while coarser zirconia or aluminum oxide media on a standard base gives sand blasted gold a rougher, fully matte texture with no sheen (Ra 4–7μm).

Either way, because the PVD layer is only microns thick, it settles into the blasted texture rather than filling it in, so the matte grain stays visible under the gold rather than being smoothed away.

The palest, greyest-toned gold of the three — the blasted matte pushes that restraint further, with no sheen to catch the eye.

The default gold for hotel lobbies and commercial interiors under bright overhead lighting, where a shinier gold would add glare instead of warmth.

The most saturated, richest gold of the three, tempered by the matte blast into a soft glow rather than a mirror-bright shine.

High-end interior decoration — a rich gold that reads as premium without the glare a hairline or mirror finish would throw off under strong lighting.

The most classic, true-to-name gold of the three — brighter and more saturated than Champagne Gold, without the deeper olive undertone of Ti-Gold.

A popular choice for lavish, ornate interiors — one of the best-selling gold tones in Middle Eastern markets, where a bold, warm gold reads as premium.

From facades to ceilings, decorative panels, and cabinetry — see how our gold stainless steel panels look once installed.